Disney's first feature-length color animated movie, "Snow White and the Seven Dwarfs," opened in Technicolor in 1937, and the ...

Accepting the visual effects Oscar for “Dune : Part Two,” production VFX supervisor Paul Lambert acknowledged the contributions of the film’s VFX vendors, including DNEG and Wylie Co. as well as the ...

In an ominous sign for visual effects artists, Technicolor-owned MPC, the banner behind recent Disney films “Mufasa: The Lion King,” “The Jungle Book” and “The Lion King,” could begin shutting its ...

The leadership change was made by Digital Domain's board of directors and key investors and follows the exit of former president and COO Lala Gavgavian. By Winston Cho Sudhir Reddy has been named the ...

All the Light We Cannot See Katalin Vermes / Netflix / Courtesy of TIFF French company The Yard VFX, whose credits include The Rings of Power – Season 2, Halo – Season 2, All The Light We Cannot See, ...

The visual effects artist, who has worked with Metaphysic, Deluxe, and James Cameron's Digital Domain, told IndieWire about rediscovering the fun and innovation in VFX. Ed Ulbrich loved the days of ...

The VFX company, headed by Mark Miller, developed an alliance with post house Fotokem. By Carolyn Giardina Tech Editor At a time when the footprint of the visual effects business continues to shrink ...

Add Yahoo as a preferred source to see more of our stories on Google. Accepting the visual effects Oscar for “Dune : Part Two,” production VFX supervisor Paul Lambert acknowledged the contributions of ...